Chord Detail
E♭ Major Seventh Chord
Ebmaj7 is a Eb major seventh chord — one of the most widely used chords in contemporary music. Warm, luminous, and emotionally open, it appears in jazz, gospel, neo-soul, R&B, pop, and worship music wherever a sophisticated but approachable sound is needed.
The major seventh chord adds a major seventh interval (11 semitones) above the root to a major triad. Ebmaj7 uses the notes Eb, G, Bb, D. The major seventh (D) creates a gentle tension with the root — close enough to sound warm but far enough to feel sophisticated. The interval between the major seventh and the root (just one semitone away) gives the chord its characteristic "floating" quality. In functional harmony, the major seventh chord serves as the tonic (I) or subdominant (IV) chord, both of which provide a sense of rest or lift without the finality of a plain triad.
Formula: 1 – 3 – 5 – 7
1Root0 semitones3Major Third4 semitones5Perfect Fifth7 semitones7Major Seventh11 semitonesWarm, luminous, floating, and sophisticated. Less conclusive than a plain major triad but never harsh.
Major chords are the bright foundation of Western harmony — stable, resolved, and immediately recognizable. Their structure (root, major third, perfect fifth) creates a sound that feels complete and confident, like a musical declaration of "yes."
🌿 Other bright sounds to explore
For a classic jazz voicing, try root–third–seventh (omitting the fifth). On piano, left hand plays the root and right hand plays third–fifth–seventh. For a fuller sound, add the 9th above the major seventh for a maj9 extension. The major seventh creates a half-step dissonance with the octave root — keep it voiced apart for clarity.
Imaj7 – iim7 – V7 – Imaj7 (Jazz ii–V–I)Imaj7 – vim7 – IVmaj7 – V (Neo-soul loop)IVmaj7 – Imaj7 – iim7 – V7 (Worship lift)Imaj7 – IIImaj7 – vim7 – IVmaj7 (Smooth rotation)Connect your MIDI keyboard and play this chord — ChordBeam identifies it instantly